Tuesday, April 18, 2006

(S.O.B.)24

Now that Arrested Development is missing and presumed dead, it's nice to see former cast members find work on other TV series. George Michael and Maeby on Veronica Mars. EggAnn on Thief. And now, last night on fellow Imagine Television show 24, the Stair Car! Sure, it's had a facelift (gone is the Bluth Company logo), but I'd know it anywhere.


"You're gonna get hop-ons"

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Wednesday, March 29, 2006

Arrested Developments

Well, there's good news and bad news in Bluthland.

First, the bad news:

By now, we all know that creator/exec producer/genius mastermind Mitch Hurwitz has called it quits, effectively doing what the FOX network could never do on its own - killing Arrested Development. As disappointed as I am, I have to respect Hurwitz' choice and just be thankful that he gave us 53 magical half-hours of television. And hey, at least now I don't have to shell out for that Showtime subscription!

More good news:

Tonight, everyone's favorite kissing cousins George Michael (no, not that one) and Maeby - Michael Cera and Alia Shawkat - both guest star on UPN's Veronica Mars! In a fun bit of Tommy Westphallian incest, you may recall that on one of Arrested Development's final episodes (the more incestuous than usual - thanks to the Bateman siblings - "Family Ties"), "George Michael asks Maeby if she wants to watch a DVD, but the name of the DVD is bleeped. Subtitles reveal that under the bleeping was a 'reference to off-network high school private eye drama censored by FOX.'" Ah, cross-network pollination. Is there anything more beautiful?

Finally, some good news/bad news:

Apparently, Tony Hale (Buster Bluth) appears in the new "movie" Larry the Cable Guy: Health Inspector. While it's nice to see the brilliantly talented Hale getting work (besides those Citibank ads), I can't help but wonder what Hale's TV adopted-brother-in-law (and Larry the Cable Guy arch nemesis) David Cross thinks. Or what his Doppelgänger thinks. Hopefully this won't cause a rift in the highly functional Bluth family.

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Tuesday, December 27, 2005

Registered Sex Offenders Who Look Like Celebrities

In a new (and potentially recurring) feature that's soon to sweep the nation, The Pop Culture Petri Dish (not-so-)proudly presents:

"Registered Sex Offenders Who Look Like Celebrities"

For our inaugural installment, we take a look at a man convicted of Aggravated Sexual Battery who just happens to resemble everyone(except Larry the Cable Guy)'s favorite never-nude -- you may know him best as Arrested Development's very own Tobias Fünke -- Mr. David Cross!*

You be the judge (well, not literally, because I think he's already been found guilty)!

Have you seen a registered sex offender who you think resembles a celebrity (excluding sex offenders who are celebrities)? If so, mail it into:

Registered Sex Offenders Who Look Like Celebrities
c/o The Pop Culture Petri Dish
pcpetridish@yahoo.com

You could win the elusive Official Pop Culture Petri Dish Gold Star (and much shame for making light of a repulsive epidemic)!


*To the best of my knowledge, Mr. Cross himself has never been convicted of Aggravated Sexual Battery.

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Friday, November 11, 2005

This $#!+ is Bananas!

Dear HBO,

Longtime viewer, first-time writer. I’m a big fan and think you do great work (okay, I don’t “get” Deadwood or Rome, and the less said about the fourth season of Curb Your Enthusiasm, the better, plus Entourage is pretty overrated and Extras is a little too… British, but…). Anyway, the reason I’m writing is that I think it would be just swell if you could pick up the Arrested Development that Fox just fumbled.

Are you aware that Arrested Development brings in about four million viewers each week? That’s roughly double the number that watch your highest-rated comedy series Entourage! And four times the number of people who watch your second highest-rated comedy series Curb Your Enthusiasm! In fact, if most of its loyal viewers followed it over to HBO, it would be your second highest-rated current series, after The Sopranos.

Then again, I know that ratings aren’t the only thing that’s important to you. After all, you’re not TV, you’re HB freakin’ O! You care about buzz and prestige, the sorts of things that get people with disposable income to feel like they have to subscribe to maintain their toehold in the pop cultural elite. It doesn’t matter how many of those suckers ever tune into HBO, as long as they neglect to cancel their monthly subscription. Back in the ‘90s, few people outside of Hollywood ever watched The Larry Sanders Show (and even fewer ever watched it again), but lots of people subscribed because they wanted to be able to watch this show that kept getting mentioned by critics and The Emmys.

You’ve recently lost two of your signature series, Sex and the City and Six Feet Under, without leaving behind any heirs to fill their Manolos. Entourage failed to make a major impression at The Emmys in its first year, and most of its second year press sounded like “Well, it’s better than last season… and that Jeremy Piven…” And the once critically unassailable Curb Your Enthusiasm is starting to get beat up by its formerly sycophantic critics.

On the other hand, critics and snobby bloggers can’t stop falling over themselves to fluff Arrested Development. And this year, The Emmys nominated three of its stars in the acting categories (the only categories anybody really cares about since actors are the ones who make up the funny things that come out of their mouths). Not to be harsh, but that’s a lot better than any current HBO comedy series is likely to pull off now that Sex and the City is gone.

Now, I know network series, and this one in particular, are pricier than you generally like. However, considering the $100 million you spent on producing Rome (not to mention the millions more spent to raise awareness of it with a massive marketing campaign), which has attracted fewer viewers than Arrested Development usually does, is $1.5 million an episode so much to ask for built-in buzz, prestige and audience? You can also subtract the development costs involved in creating a new series. And how can it be that much more expensive than Sex and the City (which shot on location all around New York City), anyway? Granted, you won’t get a cut of the DVD sales or syndication like you do with your other series, however maybe you can use that as an incentive for Fox to reduce its licensing fee.

As if asking you to pick up this orphan weren’t enough, I do have one last request. If, GOB willing, you do decide to run the show, please, please don’t un-bleep the bad language or un-blue dot the nudity. It’s already risqué enough (if you don’t believe me, ask the Parents Television Council, who recently named it “Worst Show of the Week” and 9th “Worst Show of the Year") and the efforts they go to in barely making their double entendres network-safe make the show all the more hilarious. However, if the Bluth Family must visit the Playboy Mansion, that’s not a problem.

In conclusion, picking up Arrested Development would be the best thing for you, HBO, and more importantly, the best thing for me, an HBO subscriber. It’s the least you could do for me after prematurely canceling my beloved The Comeback.

Cordially,
The Pop Culture Petri Dish

P.S. Showtime and Cinemax – change a few of the show names and everything in here goes double for you. I don’t know anybody who subscribes to your networks, but I know a few who would (including this blogger) if you bought Arrested Development.


For just one hundred fifty million pennies a week, you could sponsor this family. That's less than a cup of coffee at Starbucks. Please, give what you can. There's always money in the banana stand.

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